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From the acclaimed military historian, a new history of the outbreak of World War I: the dramatic stretch from the breakdown of diplomacy to the battles—the Marne, Ypres, Tannenberg—that marked the frenzied first year before the war bogged down in the trenches.

In Catastrophe 1914, Max Hastings gives us a conflict different from the familiar one of barbed wire, mud and futility. He traces the path to war, making clear why Germany and Austria-Hungary were primarily to blame, and describes the gripping first clashes in the West, where the French army marched into action in uniforms of red and blue with flags flying and bands playing. In August, four days after the French suffered 27,000 men dead in a single day, the British fought an extraordinary holding action against oncoming Germans, one of the last of its kind in history. In October, at terrible cost the British held the allied line against massive German assaults in the first battle of Ypres. Hastings also re-creates the lesser-known battles on the Eastern Front, brutal struggles in Serbia, East Prussia and Galicia, where the Germans, Austrians, Russians and Serbs inflicted three million casualties upon one another by Christmas. 

As he has done in his celebrated, award-winning works on World War II, Hastings gives us frank assessments of generals and political leaders and masterly analyses of the political currents that led the continent to war. He argues passionately against the contention that the war was not worth the cost, maintaining that Germany’s defeat was vital to the freedom of Europe. Throughout we encounter statesmen, generals, peasants, housewives and private soldiers of seven nations in Hastings’s accustomed blend of top-down and bottom-up accounts: generals dismounting to lead troops in bayonet charges over 1,500 feet of open ground; farmers who at first decried the requisition of their horses; infantry men engaged in a haggard retreat, sleeping four hours a night in their haste. This is a vivid new portrait of how a continent became embroiled in war and what befell millions of men and women in a conflict that would change everything.

• Sales Rank: #131703 in eBooks
• Published on: 2013-09-24
• Released on: 2013-09-24
• Format: Kindle eBook

Amazon.com Review
Amazon Guest Review of “Catastrophe 1914” by Max Hastings

By Scott Anderson

Author of Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East, Scott Anderson is a veteran war correspondent who has reported from Lebanon, Israel, Egypt, Northern Ireland, Chechnya, Sudan, Bosnia, El Salvador and many other strife-torn countries. A contributing writer to the New York Times Magazine, his work has also appeared in Vanity Fair, Esquire, Harper's and Outside. He is also the author of novels Moonlight Hotel and Triage and of non-fiction books The Man Who Tried to Save the World and The 4 O'Clock Murders, and co-author of War Zones and Inside The League with his brother Jon Lee Anderson.

To truly understand the grim march of twentieth century history, one must start with World War I – and to truly understand that horror show, one must look at its cataclysmic first few months. It was during this time that Europe saw sweeping military offensives, great pitched battles, and such staggering body-counts that the powers turned to the stagnation of trench warfare almost as a matter of national survival. This is the period British historian Max Hastings sets out to examine in Catastrophe, and the result is nothing short of a masterpiece.

The power of this book operates on several levels. Due to the political and military complexity of World War I – as well as, perhaps, a certain nationalistic chauvinism – most histories of it tend to be decidedly local; a reader might learn a great deal about the battle of the Somme, for instance, but virtually nothing about what was occurring at the same time elsewhere. By deftly moving from one battlefront to the other, Hastings is able to create a mosaic of the carnage visited upon Europe in the opening days of the war, and to show how those fronts were interconnected. Certainly no other general World War I history that I’ve read gives the commensurate attention to the slaughters that occurred on the Serbian and Galician battlefronts in 1914 that Hastings provides here.

To accomplish this, he has wisely avoided that tendency so common among military historians - barraging the reader with a blizzard of commanders’ names and regimental designations – that can make reading about combat such an ironically-dull task. Instead, by bringing us the voices of the young men from all sides caught in the maws of these battles, we not only get a visceral sense of what it looked and sounded and smelled like, but an appreciation for the commonality of the horror befalling them. Those wanting a tactical, blow-by-blow account of the Russian disasters at Tannenberg and Masurian Lakes, for example, will have to look elsewhere – Hastings dispenses with these twinned battles in a mere dozen pages – but for everyone else, the description of ordinary Russians slowly dawning to the realization that they are doomed is both wrenching and unforgettable.

Perhaps most remarkable, given his focus on the personal and the small, telling detail, Hastings’ voice also carries the mantle of authority; very early on, the reader realizes the author has done the heavy spadework of examining the myriad political and military controversies of the period, and come to a studied conclusion. Chief among these is the enduring debate over who was most responsible for starting the war, and in recent years a whole spate of revisionist histories have sought to redirect blame toward Britain or France or – most improbably - Russia. While Hastings is ultimately dismissive of these alternate theories (it really was the Germans’ and Austro-Hungarians’ fault), he does so decorously and only after entertaining the revisionisms long enough to show their contradictions. Similarly, the battlefield decisions of Sir John French, the first British field marshal of the war, have been argued over for nearly a century now, but it’s very hard to see what needs to be added to Hastings’ elegant comment that French’s conduct, “in the field was little more egregious than that of his counterparts of the other European armies.”

In contemplating this project, it surely crossed Hastings’ mind that his book would inevitably be judged against another work that covers almost precisely the same time period, Barbara Tuchman’s 1962 classic, The Guns of August. With Catastrophe, that period now has two classics.

From Booklist
After writing almost exclusively about WWII, eminent historian Hastings (Inferno) turns his attention to the outbreak of WWI. Chronicling both the prelude to the war and its initial battles, he concentrates on events occurring between June 28, 1914, when Archduke Franz Ferdinand was assassinated in Sarajevo, and December 31, 1914, when soldiers on both sides of the conflict languished in trenches. Drawing on accounts generated from rarified diplomatic circles, seasoned military leaders, and ordinary citizens helplessly caught up in the international catastrophe, he examines the origins and the onset of the Great War in minute and vivid detail. Hastings, unlike many contemporary historians, refuses to indulge in any retrospective hand-wringing, concluding rather firmly that Germany and Austria must accept principal blame for the war and that it is an analytical and an ethical mistake to believe that it did not matter which side won. This compelling reexamination of the commencement of the conflict represents an important contribution to the scholarship of the “war to end all wars.” --Margaret Flanagan

Review
''Essential reading as the centenary approaches.'' --Library Journal

''After many accounts of World War II, the veteran military historian tries his hand, with splendid results . . . Readers accustomed to Hastings' vivid battle descriptions, incisive anecdotes from all participants, and shrewd, often unsettling opinions will not be disappointed. Among the plethora of brilliant accounts of this period, this is one of the best.'' --Kirkus Reviews (starred review)

Most helpful customer reviews

119 of 131 people found the following review helpful.
An Impressive History Of An Unfolding Disaster
By John D. Cofield
The fact that a century has passed since the tragic summer of 1914 does not limit the fascination with which so many study the outbreak of World War I. It never ceases to intrigue me, and I suspect many others as well, to read about the rising tensions of years before 1914, the Sarajevo assassination which triggered the actual conflict, the missteps and miscalculations that dragged country after country into the fighting, and most of all the first few battles that preceded the long, disastrous stalemate that lasted until 1918, the consequences of which still affect us today. Among the many accounts of the early war Barbara Tuchman's The Guns of August, published in 1962, still stands head and shoulders above the rest. But now at last it has a near equal companion: Max Hasting's Catastrophe 1914: Europe Goes To War.

The book begins with a Prologue on the Sarajevo assassinations, then recapitulates the diplomatic and military position of the various European powers before tracing the grim descent into conflict. Hastings chooses to begin his chronicle of the real fighting with the Austrian invasion of Serbia, which often gets overlooked in order to focus on the Germans, Russians, French and British. But the movements of the major powers, including the early battles of the Marne and Tannenberg and the bloody engagements at Ypres and Lodz, get plenty of attention, as do the naval maneuverings (including German shelling of British coastal cities and British aerial bombardment of Cuxhaven) and the actions of nations like Italy which remained non-belligerent in 1914. Hastings has little time for the arguments of some modern revisionist historians, arguing that a quick German victory would not just have led to a Common Market 50 years early (as Niall Ferguson and others have maintained) but would instead have been disastrous, not just for the Allies but for the world. Similarly, Hastings dismisses arguments that stories of German atrocities were exagerrated and argues that they really did occur, but puts them in context by pointing out that mistreatment of subject or colonized peoples was practiced by many nations. His caustic descriptions, like the Austrian generals who were better waltzers than fighters, are as amusing as they are perceptive.

Max Hastings is a journalist and editor as well as a military historian. He writes clearly and lucidly and has the ability to make the most confusing of battlefield maneuvers understandable to civilians. He is able to give insight into the characters of such disparate characters as Sir Edward Grey, Kaiser Wilhelm II, Tsar Nicholas II, Conrad von Hotzendorf, or General Ferdinand Foch with a few well chosen anecdotes and vignettes. I also appreciated his ability to describe small, seemingly unimportant moments that give color and vitality to his account: mobilization orders being announced in the German city of Freiburg by a trumpeteer, for example, or the way a Russian village elder explained to confused peasants that they had to leave their fields because the Father Tsar needed their help, and especially his many quotes from letters and diaries from newly enlisted soldiers (including some disguised women!) and their loved ones. The segments dealing with civilians coping with the conflict were interesting as well, but not surprisingly the most affecting sections dealt with the killed, wounded, and imprisoned soldiers and their sufferings. The book ends in December 1914 with a description of some of the unofficial "Christmas truces" and with the dawning recognition that the war was going to be a long drawn out affair, fought mainly in trenches with no hope of rapid movement for years to come. It's an appropriately somber finish for this excellent history, which will receive pride of place next to Tuchman in my bookcase.

53 of 58 people found the following review helpful.
Not Hastings's best, but informative at times
By Magnitude
I've read "Das Reich" and "Overlord," both of which left a deep impression on me that compelled me to take on his 600-page account of 1914.

This work both overlaps with, and takes off from, Tuchman's "Guns of August." Hastings acknowledges his indebtedness to her work in a preface, and so he opens the door to the inevitable comparisons. Some of that influence is seen in his mirroring Tuchman's habit of using untranslated French, which continues to tax my long-forgotten high-school knowledge. His work is like "The Guns of August, September, October, November, and December," and so filled in many holes in my understanding of the events of 1914. Like Tuchman, he goes light on the origins of the war and the breakdown of negotiations after the assassination of Ferdinand and gets right into the more exciting fighting, which he describes well, but somehow without Tuchman's gift.

Hastings includes a variety of sources and perspectives from first-hand eyewitnesses (diaries and letters are prominent throughout), which reveal how the war affected everyday people. Hastings does have a gift for using these sources to show that the war's truths were clearly evident to a few who lived them. Yet, his account is somewhat rambling at times, and his broader themes remain lost under the heavy weight of details. I missed the biting, revisionist criticism of "Overlord," or the coldly factual, pared down, but damning journalism of "Das Reich." He puts much of the blame for this war on the Germans, but even that conclusion is weakly argued and fumbled a bit in awkward diction; this is not the Hastings I remember or fell in love with.

Strong points included his descriptions of fighting around Ypres and Galicia; the early naval action in the North Sea; home front events and medical care; and a curious fascination with the veterinarian aspects of the war. He covers the British, Austrians, Germans, French, Serbians, and Russians, in that order of prominence; his lightness on the French is doubly peculiar because of his obvious facility with and love for that language. Another curiosity is that Tuchman largely ignored the North Sea to focus on the Goeben, whereas the reverse is true of Hastings.

So, Hastings delivers a general history of 1914 that describes the events well enough for the uninitiated.

34 of 40 people found the following review helpful.
Catastrophe 1914 chronicles the first year of World War I with sparkling prose and astute insights
By C. M Mills
Sir Max Hastings is a distinguished British historian. In "Catastrophe 1914" Hastings examines the beginnings of World War I and follows the battlefield fighting of that ominous and crucial year in twentieth century history. We see how the war began with the spark being lit at Sarejvo Bosnia with the assassination of Franz Ferdinand and his wife Sophie on June 28, 1914. Ferdinand was the heir apparent to the tottering throne of Emperor Franz Joseph of Austria-Hungary. With his death the allies of Serbia: the Triple Entente nations of Great Britain, France and Czarist Russia were at war against the Triple Alliance powers of Germany, Austria-Hungary and Italy.
The military chapters discuss in generalized prose the battles of the French Frontier, Mons, Ypres, Tanneburg and others in the opening months of the sanguinary world conflict. Hastings is good at covering the actions on both the Western and Eastern fronts. Hastings is also adept at succinctly describing the character and leadership of such leaders as: Joffre of France; Molkte of Germany and Sir John French of Great Britain. Sir Max allows us to eavesdrop at high level strategy sessions in the capitals of the belligerent powers from Berlin to Paris to Vienna to London.
The book is over seven hundred small printed pages; includes countless photographs of the period and includes an impressive bibliography and footnotes.
Hastings is a former journalist who writes with the skills of a novelist and the erudition of an expert on World War I.
This book is history writing at its acme. Excellent and well recommended!

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## Ebook Free A Strange Commonplace, by Gilbert Sorrentino

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“Sorrentino [is] a writer like no other. He’s learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino’s books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light.”—Jeffrey Eugenides

“For decades, Gilbert Sorrentino has remained a unique figure in our literature. He reminds us that fiction lives because artists make it. …To the novel—everyone’s novel—Sorrentino brings honor, tradition, and relentless passion.”—Don DeLillo

Borrowing its title from a William Carlos Williams poem, A Strange Commonplace lays bare the secrets and dreams of characters whose lives are intertwined by coincidence and necessity, possessions and experience. Ensnared in a jungle of city streets and suburban bedroom communities from the boozy 1950s to the culturally vacuous present, lines blur between families and acquaintances, violence and love, hope and despair. As fathers try to connect with their children, as writers struggle for credibility, as wives walk out, and an old man plays Russian roulette with a deck of cards, their stories resonate with poignancy and savage humor—familiar, tragic, and cathartic.

Gilbert Sorrentino is the author of more than 30 books, including Little Casino, finalist for the PEN/Faulkner Award. A critical and influential figure in postmodern American literature, he is the recipient of two Guggenheim Fellowships and a Lannan Literary Award. His frequent appearances on Michael Silverblatt’s Bookworm can be heard at www.kcrw.org. Once an editor at Grove Press, Sorrentino is professor emeritus at Stanford University and lives in Brooklyn.

• Sales Rank: #1841659 in eBooks
• Published on: 2012-11-13
• Released on: 2012-11-13
• Format: Kindle eBook

From Publishers Weekly
In two sets of 26 brief tales each, Sorrentino (Little Casino) puts life's losers through their paces. Like ever-widening rings in a pond of purposeful noir cliché, their sad-sack stories, some of which share titles across the book's two parts, intentionally fail to connect: "Pair of Deuces" in the first part, for example, listens in on an aged card player ruminating in a retirement home on his lifetime of runs of bad luck, while "Pair of Deuces" in the second part tracks the hopelessly mismatched couplings of Jenny and Ralph and Inez and Bill over Christmastime. "A Small Adventure" in each part follows the fantasies of several wretched, abandoned wives who set out for a bit of sexual fun and revenge. Elsewhere, man leaves wife for floozie secretary; beautiful woman becomes both an object of desire and a victim of sickness and abuse; a barely acquainted couple decide in a wildly futile stab at romance to meet in a year at Rockefeller Center. Sorrentino's virtuosic vernacular shifts convincingly to match different genders and stations. His erratic permutations on familiar themes are set in an anachronistic everyday and somehow manage to be strange, striking and unsettling even as they deliver doom after doom. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
One never expects traditional plots from Sorrentino, who has published poetry and fiction since the nineteen-sixties, but one can usually count on wit, vigorous prose, and an unflinchingly bleak take on life. His new novel (the title is taken from a William Carlos Williams poem) is a series of vignettes that present men and women obsessed by the missteps of love, betrayal, and desire. The cast includes a dentist unhinged by sexual fantasies and two brothers, each of whom has an affair with the other's wife, and there is an alarming tale of a man and his homburg. Despite the bleakness, Sorrentino regards his characters with tenderness: "He wished that he could chafe his barely breathing nostalgia into a delicious, a self-satisfied sadness." The novel is divided into fifty-two discrete parts—a dazzlingly original deck of cards.
Copyright © 2006 The New Yorker

From Booklist
Sorrentino's inventiveness, needling humor, and laser-perfect syntax have earned him critical acclaim, a cultlike following, and the Lannan Literary Lifetime Achievement Award. A bit of a magpie--the title of this set of interconnected short short stories is from a poem by William Carlos Williams--Sorrentino riffs on other writers, movies, music, art, and games of chance. He can be cutting in his satire, and bullying in his eroticism, and now adds anger to the mix as he portrays a circle of struggling New Yorkers living back in the sexist, alcohol-sodden, and hypocritical 1950s on into the egomaniacal present. Ugly sex, adultery, and vicious domestic battles make a misery of marriage and family life, and old age is nothing to aspire to. Memories fizzle and morph into fantasies, and one elderly fellow courts death with solitary card games. The book itself resembles a deck of cards, what with its 52 tales imprinted with repeating patterns and emblems, and sly Sorrentino shuffling the cards, cutting the deck, and dealing some tough hands. Donna Seaman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

4 of 4 people found the following review helpful.
Reality in metafiction
By M. J. Smith
This book quickly reminded me of a childhood experience - what I thought was an accidental drowning, I later discovered my older brother believed to be suicide and my Mother believed to be murder. Sorrentino has captured that fractured view of the world as the stories/chapters circle around the same themes and characters. Was it incest or a lover? cancer, accident or still alive? Who cheats on whom? The short chapters, many standing as short-shorts in their own right, have an honesty and humor that makes delightful reading - and leave you with the same almost but not quite grasped sensation as reality.

3 of 3 people found the following review helpful.
"Strange Commonplace" exemplifies Sorrentino's experimental style
By lesismore
When author and essayist Gilbert Sorrentino passed away on May 18, 2006, it was a tragedy that didn't even gather headlines outside the literary community. There were no accolades and praise of the kind that followed the deaths of Douglas Adams or Hunter S. Thompson, or that will surely salute the death of Kurt Vonnegut.

This lack of tribute is insulting, for Sorrentino has done as much with the English language as any of the more public authors. In over 30 collections of poetry and prose Sorrentino mastered the art of experimental fiction, with titles such as "Mulligan Stew" and "Odd Number" cutting a manic swathe of words in a way to make any creative writing major fall to their knees.

Thankfully, Sorrentino left a final masterpiece behind to seal his legacy: the harrowing and poignant novel "A Strange Commonplace." Named for a William Carlos Williams poem, Sorrentino's work replicates the poem's image of "Long, deserted avenues with unrecognized names at the corners" with a dreamlike version of his native Brooklyn.

In the vein of his darkly entertaining "Little Casino," "A Strange Commonplace" blends elements of poetry, short fiction and the novel to create a book that can be read all at once or in various intervals depending on mood. The book, split into two sections of 27 short chapters - each section using the same 27 titles - follows the private lives of adulterers, criminals and the disillusioned.

Human folly is Sorrentino's medium, and he is unrelenting in how many snapshots he can take. In "Cold Supper" a woman bakes a gourmet meal and dresses in her best, then proceeds to lock her son outside and walk out the front door to never return. An old man decides to kill himself if he draws a flush in "An Apartment," while three young men devour their meals and molest a waitress simultaneously in "In the Diner."

Much like the cut-up surrealism of William S. Burroughs, Sorrentino has several recurring elements in each of his pieces. However, while Burroughs used sadistic doctors and rusted revolvers to show junk sickness, Sorrentino's images are tied with heartbreak - a pearl-grey homburg hat, Worcestershire sauce, a children's jungle story. These elements give the novel an odd sense of continuity, each possessed by a pained character.

Of course, not all readers will be entranced at the start by Sorrentino's style, as the experimental prose requires a careful reading to obtain full understanding. Often, as in the ethereal "In Dreams," his characters become unstuck in reality, the world changing the minute they look away. Additionally, the work's dark tone leaves not a single character happy at the end, sucked into alcoholism and untimely death.

But happiness is not the image Sorrentino is trying to pull off in this book - these stories are 52 "magical route[s] to oblivion." In many ways it fits the original meaning of commonplace, a book designed to compile all different forms of knowledge that capture the author's interest - and at the very end of his life, Sorrentino was trying to compile the sense of "the man in the casket is the same ... as the man at the casket."

It is very depressing that Sorrentino is no longer around to write fiction of this caliber, but anyone who is sucked in by "A Strange Commonplace" can be comforted by the fact that he left a vast body of work behind to explore. As Sorrentino's final work, "A Strange Commonplace" is like the last bite of an exotic dessert - not suited for every palate, but for those who acquire a taste for it indescribably delicious.

5 of 6 people found the following review helpful.
Exuberance of Invention, Bleakness of Subject
By Bartolo
The New Yorker reviewer called these stories "dazzlingly original," a descriptive that may, appropriately enough, be a warning to some and a lure to others.

To fans of Sorrentino's previous work, I can say that much of the narrative lines, and tone, recall his earlier "Aberration of Starlight" rather than his works of comedy (e.g. "Blue Pastoral") or full-bore literary prestigitation (e.g., "Pack of Lies"). So extramarital affairs, booze, breakup and visitation squabbles, the mundane despairs of little lives dominate the subject matter. The author is 76, so references range from Philco radios and Johnny Weissmuller to organic food stores and Meryl Streep. Interspersed with the narratives, incidentally, must be some of the most convincing dream sequences in all literature.

Sorrentino's prodigious intellect has set himself the project of making 52 discrete mini-stories as enfolding and nuanced and complete as another author's novellas. Some only a page long, interweaving certainly, teasingly recycling the same cast members (or just names) and circumstances and props, nevertheless they are discrete entities and not "chapters." Age, perhaps, has inclined Sorrentino to a breathtaking economy. If you read not merely to consume stories and characters but to savor the forms and surprises possible with literary art, this writer is a must.

I modestly hold that Gilbert Sorrentino may be the best living American author. If you aren't familiar with him, as I wasn't only four years ago, but you enjoy innovative and modernist or proto-modernist literature of, for example, the best of Lawrence Sterne, Machado de Assis, James Joyce, William Faulkner, Samuel Beckett, Milan Kundera, Peter Handke, Georges Perec, Robert Coover, Nicholson Baker, Julian Barnes, or Jeanette Winterson, you should go for Sorrentino immediately. This book is very accessible, but "Little Casino" might be an even better, because less bleak, place to start. Then research the others: you can make up for our book culture's outrageous oversight. It has long held Sorrentino a "writer's writer," but I beg to differ.

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Acclaimed screenwriter and creator of the Netflix original series Marco Polo, John Fusco’s “vivid, action-packed tale of Asian gangsters and Hollywood moviemaking” (Publishers Weekly) follows the exploits of Louie Mo, once Hong Kong’s greatest stuntman turned Los Angeles knee-breaker, as his latest target unexpectedly casts him in the role of a lifetime.

Leaving behind a successful career as a stunt double in Hong Kong to escape entanglements with the Chinese mafia, Louie Mo now makes his living in Los Angeles as a hired knee-breaker, putting fear into the hearts of people reneging on payments to investors.

Troy, an aspiring director with NYU credentials and encyclopedic movie knowledge, is beginning to realize that he’s made a deal with the devil by agreeing to direct a film for producer Avi Ghazaryan. When Avi’s sketchy investors hire Louie to scare Troy into finishing their movie, Troy’s reverence for film and keen eye save him from a beating when he recognizes Louie Mo as the stunt man extraordinaire he once was and begs Louie to take the lead role in the movie based on Troy’s own pet screenplay.

For Louie Mo, this chance at redemption might be his last. As his past catches up with him and his body becomes ever more broken down, he teams up with Troy in a race against the clock—and the bad guys—to pull off an impossible film of epic proportions.

Dog Beach is a fast-paced, smart, and hilarious thrill ride. Equal parts dark satire and high-velocity action novel, this “poisonously funny Hollywood noir nightmare” (Warren Ellis, author of Red and Gun Machine) is perfect for fans of Elmore Leonard and Don Winslow.

• Sales Rank: #357733 in eBooks
• Published on: 2014-09-09
• Released on: 2014-09-09
• Format: Kindle eBook

Review
“Fusco channels Elmore Leonard and Quentin Tarantino in this vivid, action-packed tale of Asian gangsters and Hollywood moviemaking.” (Publishers Weekly)

“Both Louie and the novel are wise and gently humorous, tougher than they seem, and casual about their mastery of craft. What follows is a fine romp, with sex, drugs, murder, and car chases, but savvy readers will notice the underlying seriousness. And the insider stunt lore is priceless.”

–Booklist

 

"This is a poisonously funny Hollywood noir nightmare, smart and savage. I loved it." (Warren Ellis, author of Red and Gun Machine )

“I was always a big fan of Elmore Leonard, and now I’m a big fan of John Fusco. Dog Beach is a gem: A Hollywood novel by a guy who knows Hollywood. In this wonderful world of stuntmen and screenwriters, rising stars and falling producers, everyone is a step away from a blockbuster–if they can just stay alive to the final reel. Fast and funny and filled with surprises.” (Chris Bohjalian )

“A fabulous tale that is equal parts Elmore Leonard, Guy Ritchie, and John Woo. The ridiculously talented and prolific John Fusco has created an indelible character in Hong Kong stuntman, Louie Mo. I couldn't put Dog Beach down.” (Matthew Polly, author of American Shaolin )

Praise for John Fusco's PARADISE SALVAGE:

Finalist for the Dagger Award for Best First Crime Novel

“Cross The Sopranos with Catcher in the Rye and you'd probably get this suspenseful novel--and very good it is.” --The Times (London)

“Corruption may drive Fusco's plot, but memorable and quirky characters definitely hold the steering wheel.” --Boston Herald

“A suspenseful thriller that packs in humor, pathos, fear, and a rare generosity of spirit. It's a rare thing--a genuine thriller that also warms the heart.” --Val McDermid

“Written with levels of depth and feeling that keep the pages turning. A true gift from a born storyteller.”
--Arizona Daily Star

“If you're looking for the Great New American Novel one of the best is John Fusco's Paradise Salvage.”
--Conde Nast Traveler

“A taut and original thriller and the best coming-of-age novel I've read since Catcher in the Rye.” --Howard Frank Mosher (--)

About the Author
John Fusco is the author of Paradise Salvage, which was shortlisted for the Crime Writers’ Association’s Dagger Award for Best First Crime Novel. He has written ten major motion pictures, including Young Guns, Hidalgo, and the Academy Award-nominated Spirit: Stallion of the Cimarron. Fusco is the creator of the Netflix Original Series Marco Polo and has also just written the long-awaited sequel to Crouching Tiger, Hidden Dragon. Most recently, he has adapted Paulo Coelho's The Alchemist for the Weinstein Company. He lives on a farm in Northern Vermont with his wife.

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3 of 3 people found the following review helpful.
Like watching one of Jackie Chan's better movies.
By Frank Errington
Review copy

The Malibu locals call Las Flores, "Dog Beach." Troy, a budding film-maker, and his housemates call their two-story beach crib the Dog House, and call themselves the Dogs of Entropy.

Louie Mo, is a former Hong Kong stuntman extraordinaire, who is now getting by as a hired knee-breaker in LA, putting fear into the hearts of people reneging on payments to investors.

When Louie Mo shows up at the Dog House to "encourage" Troy to pay his investors, Troy recognizes Louie and winds up convincing him to star in his next project.

Dog Beach is a high-octane, quick read, that is a lot like watching a Jackie Chan film and just as much fun.

I enjoyed the way the author developed the back-stories for the principal characters, giving the reader a clear picture of what drove them to do what they did, and I also liked the way he gave us just enough of a look into the movie-making process without getting too bogged down in the details.

The action was fast-paced, start-to-finish, as Louie Mo had to remain one step ahead of the Chinese mob, a monster ex-NFL lineman, and two ex wives. While at the same time Troy is trying to deal with his producer and some angry Guatemalan investors. Plus, I loved the twist in the book's climatic chase scene.

Overall, a fun read and John Fusco is an author I'd like to read again sometime.

Dog Beach is being published on September 9, 2014 by Simon & Schuster's Toouchstone division and will be available in bookstores and from many online retailers.

Recommended.

2 of 2 people found the following review helpful.
Action hero.
By Michael G.
Dog Beach by John Fusco is a rollicking, irreverent, over-the-top Southern California comedy novel about movies, kung fu, kung fu movies and purloined sports memorabilia. At least that's the way it starts out. Surprisingly, the mood of the novel becomes more somber in the second half when the tragic back stories of certain characters are revealed.
Author John Fusco is an accomplished screenwriter who knows a thing or two about effective storytelling. One of the most compelling aspects of Dog Beach is the way Fusco sets up his characters as unidimensional stereotypes and then proceeds to dismantle those stereotypes right before the reader's eyes. A deceptively intelligent novel. Highly recommended.

0 of 0 people found the following review helpful.
Dog-tastic!
By col2910
The first read of the month and a cracking start. 5 stars and it doesn’t get any better than that.

240 pages, so not over-long, great pace, plenty of action, one of my favourite settings – LA, with a bit of the action flipping back in time to the equally exotic setting of Hong Kong. Our story focuses around Troy, a young ambitious film-maker in the middle of his latest flick. A visit from a Chinese leg-breaker sent to put the frighteners on Troy, has Troy all of a flutter. His erstwhile attacker is someone he recognises from the Hong Kong film world. All of a sudden Troy and his gang of cohorts are running in a different direction with a new film project and Louie Mo as the star.

Fusco writes great characters. Troy is likeable, idealistic, obsessed and a little bit naïve. Louie Mo is interesting and determined; there’s an air of sadness and regret about him as he stoically drags his past around with him, whilst resigned to a life as an enforcer for low-level crims. We get the back stories of our dynamic duo, which adds substance to our tale without interrupting the narrative.

Troy’s posting of a preview scene on You Tube of his proposed Louie Mo blockbuster, brings parts of Louie’s past back into the present and ratchets the tension. The supporting cast, especially Louie’s driver, the mysterious Dutch are interesting and funny. Fusco also has some fun with his dialogue and banter, particularly with Louie at times failing to grasp intent in conversations with his less than perfect English. Great dialogue, great action, satisfying conclusion. Quite cinematic, whether our screenwriter author has one eye on a screenplay for this, I don’t know. I’d watch it.

All in all, extremely satisfying.

5 from 5

I have John Fusco’s previous book on the piles somewhere – Paradise Salvage. Originally published in 2001, I hadn't quite realised it was that old.

I got a copy of this one via Edelweiss – Above The Treeline site (similar to Net Galley)

Read and reviewed back in August over on the blog - http://col2910.blogspot.co.uk/2014/08...

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Examensarbeit aus dem Jahr 2006 im Fachbereich Biologie - Krankheiten, Gesundheit, Ernährung, Note: 1,3, Universität Hamburg, 27 Quellen im Literaturverzeichnis, Sprache: Deutsch, Anmerkungen: Der Anhang dieser Arbeit enthält unter anderem detailierte Kostpläne für eine saure bzw. basische Ernährung über jeweils zwei Wochen. Die aus dem Selbstversuch gewonnenen Daten sind zum besseren Verständnis zusätzlich sowohl einzeln als auch im Zusammenhang grafisch dargestellt. , Abstract: Dass der Säure-Basen-Haushalt auch innerhalb der Medizin ein kontroverses Thema darstellt, zeigen die teilweise sehr unterschiedlichen Meinungen verschiedener Ärzte. Manche lehnen einen Einfluss der Ernährung auf den Säure-Basen-Haushalt mit Hinweis auf die verschiedenen Regulationsmechanismen des Körpers ab.

Andere wie beispielsweise die Deutsche Gesellschaft für Ernährung (DGE) schließen eine negative Beeinflussung der Befindlichkeit durch eine erhöhte Zufuhr sauer wirkender Lebensmittel nicht unbedingt aus, jedoch sei dies nur bei vorgeschädigten oder älteren Menschen relevant. Wieder andere stehen mit ihrer ganzen Überzeugung hinter der von Ragnar BERG entwickelten These von einer Übersäuerung des menschlichen Körpers durch falsche Ernährung.

Der Biochemiker und Arzt Friedrich F. SANDER entwickelte auf Grund dieses Konzeptes die bis heute in der Naturheilkunde gültige Theorie eines von der Ernährung beeinflussten Säure-Basen-Haushalts. Innerhalb der Vertreter einer basischen Ernährung finden sich jedoch immer wieder Unterschiede in der Einteilung von einigen Lebensmitteln. Nach dem amerikanischen Arzt und Begründer der Trennkost Howard HAY sind z.B. Quark und Joghurt basische Lebensmittel, der ausgebildete Mayr-Arzt Michael WORLITSCHEK jedoch teilt sie auf Grund ihres hohen Eiweißgehaltes den sauren Lebensmitteln zu.
Die vorliegende Arbeit gliedert sich grob in zwei Teile:

Teil A beschäftigt sich mit dem biochemischen Mechanismus und den Beeinflussungsmöglichkeiten des Säure-Base

• Published on: 2007-07-16
• Released on: 2007-07-16
• Format: Kindle eBook

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Never before have two revolutions with so much potential to save and prolong human life occurred simultaneously. The converging, synergistic power of the biochemical and digital revolutions now allows us to read every letter of life’s code, create precisely targeted drugs to control it, and tailor their use to individual patients. Cancer, diabetes, Alzheimer’s and countless other killers can be vanquished—if we make full use of the tools of modern drug design and allow doctors the use of modern data gathering and analytical tools when prescribing drugs to their patients.

But Washington stands in the way, clinging to outdated drug-approval protocols developed decades ago during medicine’s long battle with the infectious epidemics of the past. Peter Huber, an expert in science, technology, and public policy, demonstrates why Washington’s one-size-fits-all drug policies can’t deal with diseases rooted in the complex molecular diversity of human bodies. Washington is ill-equipped to handle the torrents of data that now propel the advance of molecular medicine and is reluctant to embrace the statistical methods of the digital age that can. Obsolete economic policies, often rationalized as cost-saving measures, stifle innovation and suppress investment in the medicine that can provide the best cures at the lowest cost.

In the 1980s, an AIDS diagnosis was a death sentence, until the FDA loosened its throttling grip and began streamlining and accelerating approval of life-saving drugs. The Cure in the Code shows patients, doctors, investors, and policy makers what we must now do to capture the full life-saving and cost-saving potential of the revolution in molecular medicine. America has to choose. At stake for America is the power to lead the world in mastering the most free, fecund, competitive, dynamic, and intelligent natural resource on the planet—the molecular code that spawns human life and controls our health.

• Sales Rank: #801441 in eBooks
• Published on: 2013-11-12
• Released on: 2013-11-12
• Format: Kindle eBook

From Publishers Weekly
Digital and biochemical revolutions have made it possible to decode what ails us and help determine the remedy—if only Washington and the FDA would get out of the way—argues Huber, a lawyer and senior fellow at the Heritage Foundation, in this provocative, optimistic look at modern medicine. He envisions a free-market ideology for drug development and usage that, thanks to digital technology, will cheaply design new drugs and predict how well they perform and on whom. But Huber, who popularized the term junk science with his 1991 book Galileo's Revenge: Junk Science in the Courtroom, believes Washington nudges doctors away from the Hippocratic oath to prescribe regimens for the good of my patients and toward veterinarian ethics—the sick dog's treatment is determined by the master's willingness to pay. There's no middle ground in the war between the 20th and 21st century medicine, Huber believes—we must choose between medicine that deals with biochemical reality or is favored by crowd doctors who cling to the view that if they scrutinize, track, certify, and choreograph things just right, they can deliver better medicine to all from afar. Huber's challenge is sure to spark controversy as the U.S. adapts to the Affordable Care Act. (Nov.)

From Booklist
Our ability to read the genetic code heralds a transformation of modern medicine. Yet many potential medical miracles remain throttled. Antiquated and stifling regulations and policies presently handcuff the evolution of molecular medicine. Huber, a senior fellow at the Manhattan Institute for Policy Research, pleads for reforming the drug licensing system and advocates “a culture of discovery and creativity that is willing to take risks and invest patiently in the future.” He cites Herceptin for breast cancer, Gleevec for chronic myelogenous leukemia, and a cocktail of antiviral agents for HIV as examples of the might of molecular medicine. He blames a “muddled and often self-contradictory legal regime”—which includes federal government agencies (notably the FDA), insurance company guidelines, judges, and trial lawyers—for suffocating the advancement of molecular science. Presently, the development of new drugs and vaccines is often a dawdling, more expensive than necessary, and sometimes volatile process. Although Huber’s discussion of the topic is at times dense, his ardor for invigorating pharmaceutical progress is apparent on every page of this scholarly work. --Tony Miksanek

Review
“[An] urgent, compelling account of how 21st-century medicine is being hampered by a regulatory regime built for the science of the 20th century.”
—Wall Street Journal

“[An] exciting and authoritative review of accelerating advances in personalized medicine.”
—Barron’s

“Spotlighting an area where federal laws and regulations lag far behind technological innovation, the author, a Manhattan Institute senior fellow, maintains that medicine’s rapidly developing capacity to decode individual human genomes and tailor patients’ treatments accordingly – as with breast cancer – is being hindered by...‘outdated drug-approval protocols developed decades ago during medicine’s long battle with the infectious epidemics of the past.’”
—Pittsburgh Tribune-Review

“[Huber is] one of the few men walking the Earth who could write a book about FDA reform that is not only profitable but pleasurable to read. The book is exciting, in that it suggests possibilities for significant improvements in our ability to treat terrifying diseases in the near future; but it is also depressing, because its sophisticated analysis – in flying so far above regulation-deregulation and government-market binaries that dominate so many of our policy debates – cannot help but draw one’s attention to the intellectual poverty of Washington’s practically pre-Copernican approach to important policy decisions.... The book is sprinkled liberally with sentences that are thought-provoking gems, each worthy of an essay of its own.... [A] very rich book.”
—National Review

“Our ability to read the genetic code heralds a transformation of modern medicine. Yet many potential medical miracles remain throttled….[Huber’s] ardor for invigorating pharmaceutical progress is apparent on every page.”
—Booklist

“Intriguing.”
—Kirkus Reviews

“A provocative, optimistic look at modern medicine… Huber’s challenge is sure to spark controversy as the U.S. adapts to the Affordable Care Act.”
—Publishers Weekly

“A must read for physicians, patients, biotech investors, and healthcare politicians, The Cure in the Code is the most important policy book of the decade, and it could only have been written by Peter Huber, a polymathic master of both the deadly menace and huge promise of bioscience, and scathing critic of the blindness of healthcare bureaucracy.”
—George Gilder, author of Knowledge and Power: The Information Theory of Capitalism

“A thoughtful and compelling account of how the federal government’s current regulatory science is not only outdated, but risks hampering scientific efforts to combat diseases at the molecular level. Marshaling insights from medicine, law, and economics, Huber makes an urgent case for how to improve the drug and therapy regulatory system to better equip physicians with innovative treatments that meet critical patient needs.”
—Tom Coburn, M.D., United States Senator from Oklahoma

“Peter Huber is one of only a handful of public intellectuals with a deep understanding of science, economics, and the law. In The Cure in the Code, Huber explains scientific advances in molecular biology and genetic engineering, the economics of pharmaceuticals and medicine, and the intersection of all of these with FDA law and policy. This is a key guide to the promise of personalized medicine—personalized down to the genetic level—and also to the policies that can deliver that promise.”
—Alex Tabarrok, Professor and Bartley J. Madden Chair in Economics, George Mason University

“Peter Huber has eloquently portrayed the transition of medicine from art to science in the 21st century. But The Cure in the Code offers much more as he illuminates the changes that must occur in the research, regulatory, reimbursement ecosystem if the promise of cures is to be fulfilled.”
—Andrew von Eschenbach, Commissioner of the U.S. Food and Drug Administration (2005-2009)

Most helpful customer reviews

0 of 0 people found the following review helpful.
It is like peering through a window at the future of medicine and medical treatments
By LitPick Student Book Reviews
Thought-provoking, insightful, and concerning in light of the current changes in healthcare which will stand in the way of "sniffers" and individualized cures for the diseases of today and tomorrow.

22 of 23 people found the following review helpful.
life and death
By John Thorne
This is a well-written and important book on the future of medicine and regulation of medicine. Don't confuse it with the debates on the Affordable Care Act; it's about the regulatory impediments to investment in and approval of new medicines. Like Huber's earlier books, this one has lots of interesting stories (some funny, many tragic) to make the broader points concrete and memorable. The opening chapter is as tightly written and compelling as Dawkins's Selfish Gene.

8 of 8 people found the following review helpful.
When I Got To Be 64 Today ... I Started Thinking About Being 104
By George E. Jones
The Cure in the Code book is exciting in the new paradigm of what mankind can now start to think about in a serious way .... partial Victory Over Mortality.

It's about Mr. Huber's scholarly take on HealthSpan via molecular medicine break throughs applied in personalized and individualized ways to the parts of our DNA which regulate the Aging Process and our HealthSpan.

The biggest impediment to improving our HealthSpan is the U.S. Government and in particular the bureaucratic early 1900 mindset at the FDA.

If President Obama wanted to make a seismic change there he should appoint some like Peter Huber to head the FDA,

Watch this video then buy this book. [...]

See all 10 customer reviews...

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^^ Fee Download No One Had a Tongue to Speak: The Untold Story of One of History's Deadliest Floods, by Utpal Sandesara, Tom Wooten

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On August 11, 1979, after a week of extraordinary monsoon rains in the Indian state of Gujarat, the two mile-long Machhu Dam-II disintegrated. The waters released from the dam’s massive reservoir rushed through the heavily populated downstream area, devastating the industrial city of Morbi and its surrounding agricultural villages. As the torrent’s thirty-foot-tall leading edge cut its way through the Machhu River valley, massive bridges gave way, factories crumbled, and thousands of houses collapsed. While no firm figure has ever been set on the disaster’s final death count, estimates in the flood’s wake ran as high as 25,000. Despite the enormous scale of the devastation, few people today have ever heard of this terrible event.

This book tells, for the first time, the suspenseful and multifaceted story of the Machhu dam disaster. Based on over 130 interviews and extensive archival research, the authors recount the disaster and its aftermath in vivid firsthand detail. The book presents important findings culled from formerly classified government documents that reveal the long-hidden failures that culminated in one of the deadliest floods in history.

The authors follow characters whose lives were interrupted and forever altered by the flood; provide vivid first-hand descriptions of the disaster and its aftermath; and shed light on the never-completed judicial investigation into the dam’s collapse.


From the Hardcover edition.

• Sales Rank: #1496351 in eBooks
• Published on: 2011-05-24
• Released on: 2011-05-24
• Format: Kindle eBook

Review
"What is it about dams that inspire fatal dreams of grandeur? Utpal Sandesara and Tom Wooten have done a great service by vividly reconstructing one of the greatest and least known dam disasters in history—although it is anything but unknown, of course, to the largely voiceless people who were its major victims. This is an absorbing story not just about bureaucratic ambition and folly, but about power and powerlessness." --Adam Hochschild, author of To End All Wars, King Leopold's Ghost, and other books.

"Written with a sympathy as deep as its research, this is the story of a deadly environmental disaster that sprang from hubris and miscalculation. Like any sudden disaster, the floods that destroyed Morbi burst upon the everyday lives of people unaware of what was about to befall them. Sandesara and Wooten skillfully capture both the commonplace and the extraordinary, and in doing so reveal what sometimes seems to be the near universal failures that lay behind so many environmental disasters and the quite specific particulars of Indian history and development." -- Richard White, professor of American History at Stanford University

"The anatomy of a perfect storm: not just a South Asian monsoon-driven tragedy killing thousands, but an overall portrait of social, political, historical, and moral corruption and dysfunction. Inspections are missed, planning is chaotic, and disempowered find themselves squarely in the path of an epic disaster." --Clark Blaise, co-author (with Bharati Mukherjee) of Days and Nights in Calcutta and The Sorrow and the Terror: The Haunting Legacy of Air-India 182.

"This memorable account of an epic flood is all the more impressive because its authors, one of them the son of a survivor, are so young. Their reporting is painstaking, their stories heartbreaking." --Anne Fadiman, author of The Spirit Catches You and You Fall Down

"It is one thing for 25,000 people to perish all at once; it is another to completely forget about them. Utpal Sandesara and Tom Wooten's fascinating story about an Indian dam disaster should be required reading for anyone interested in modern India, the environment, or narrative nonfiction. 'No one had a tongue to speak'—until these two young writers came along to listen. One of the most important books about India in recent years." --Suketu Mehta, Pulitzer Prize finalist and author of Maximum City: Bombay Lost and Found

"Sandesara and Wooten paint a vivid peoples' portrait of the human impact of a top-down development project gone wrong. Though the Machhu Dam disaster occurred nearly thirty years ago, the themes explored in No One Had a Tongue to Speak are as relevant today as they have ever been. With developing nations racing to catch up, the world simply must get better at contending with the humanitarian and environmental consequences of rapid growth. As such, this is a book for our time." --William Clark, Harvey Brooks Professor of International Science, Public Policy and Human Development at Harvard University, and a 1983 MacArthur Fellow

"Sandesara and Wooten provide a fresh, engaging account of a horrendous, man-made flood in Gujarat, India. The tale of the Machhu dam disaster highlights the pitfalls of a top-down approach to development, risk mitigation, and long-term recovery, using the words of those who have experienced it. As a globally surgent India marches ahead with its economic growth and comes to terms with its prospects and limitations in the realm of development, these two researchers offer a refreshing, comprehensive, painstaking, and lively account of a defining moment in India's past. From policymakers to common citizens, readers will relish this book's narration and ponder its implications for future disasters." --Mihir Bhatt, founder of the All India Disaster Mitigation Institute

"The break of the Machhu Dam-II, which killed thousands of people on India's Saurashtra peninsula in 1979, must rank as one of the world's great engineering disasters. In their book, No One Had a Tongue to Speak, Utpal Sandesara and Tom Wooten recall in painstaking detail the secrecy and arrogance that led to the disaster. They also recount the tragedy that struck unsuspecting farmers and townspeople one fateful monsoon afternoon, the courage with which survivors rebuilt their lives and homes, the generous support that many officials and citizens lent to their task, and the shameful deceit by which a government bureaucracy refused to be held to account. All who read this important book will gain great respect for the good people from northern Saurashtra. Readers will understand that the dam disaster can repeat itself as long as the lessons from a flawed planning process have not been learned." --Peter Bosshard, Policy Director of International Rivers

"The book addresses with rigor and compassion the devastating effect of floods in the Machhu River Valley in Gujarat, India, in 1979 caused by the unintended consequences of a development project. The two researchers have documented its impact and the inadequate response on a forgotten community. The book's social significance and important findings will appeal to all those interested in issues of development in India and elsewhere." --Jerome Sauvage, former deputy director of the United Nations Development Program in India

About the Author
The authors graduated from Harvard University in 2008 with degrees in social studies.
Utpal Sandesara, the son of a Machhu flood survivor, is pursuing doctoral degrees in medicine and social anthropology at the University of Pennsylvania.

Tom Wooten lives in New Orleans, where he teaches writing and researches the recovery from Hurricane Katrina.

Most helpful customer reviews

11 of 11 people found the following review helpful.
"Wherever you put your foot in the mud you strike a body"
By ealovitt
The two Harvard student-authors, Utpal Sandesara & Tom Wooten develop their account of the devastating 1979 dam collapse in Gujarat within the context of the social history of 20th century India. This book is part travelogue and part biography as well as the story of a terrible tragedy. I couldn't help comparing it to accounts of New Orleans before, during, and after Hurricane Katrina. Politics are firmly embedded in the latter part of both tragedies in an ugly, but predictable manner.

The collapse of Machhu Dam-II looms over the narrative like the Erinyes over the hero in a Greek tragedy. It was an accident waiting to happen, rather like the collapse of the New Orleans levees during Hurricane Katrina. On an exceptionally rainy August 11, 1979, the impounded water finally overtops its earthen embankments as the 2 million+ people living below it are performing their monsoon routines and preparing for the Hindu Shravan holidays.

The dam itself was only seven years old, but the calculations for the maximum amount of water that it needed to hold were fatally flawed. The monsoon rains that precipitated the collapse dumped 28 inches of rain on the region in less than 24 hours. The two-mile-long earthen embankments that flanked either side of the concrete spillway were never meant to be overtopped. When they were, the banks quickly eroded away and the cities and villages downstream were inundated by twelve to thirty feet of raging floodwater, including Morbi (aka Morvi), which was also known as 'the Paris of India.'

The authors interviewed many citizens of Morbi and its surrounding villages, including the mayor, a principal, and a convict who was serving time for murder, all of them victims of the flood. The reader is given a solid introduction to what life for these protagonists was like before, during, and after the disaster. One of my favorite characters, other than the convict Gangaram Tapu who saved many people during the flood, is Pratapbhai Adroja, the owner of a small tobacco shop called 'Ghost Paan.' The Indian Government did finally get around to helping Morbi rebuild, but Pratapbhai's fellow-citizens pitched in and helped his Ghost Paan reopen less than a week after the floodwater almost destroyed their city.

I think Americans could learn a few lessons from the citizens of Morbi on how to get a city back up and running, with only minimal help from Big Government.

Be sure to read the thoughtful forward on 'Disasters Natural and Unnatural' by Paul Farmer, the Chair of the Department of Global Health and Social Medicine at Harvard Medical School. I actually came away from this book feeling proud of what the citizens of Morbi accomplished during the rebuilding of their city, in spite of a Government that seemed to be most interested in suppressing the report from the Machhu Dam-II Inquiry Commission, and elected officials who were focused on fixing blame on the 'other' political party, rather than on the rebirth of the 'Paris of India.'

Morbi was rebuilt to be bigger and wealthier than before the flood, then suffered another round of devastation during a 2001 earthquake centered just north of the Gulf of Kutch. So the authors were surprised to find that "the Machhu dam disaster remained 'the' disaster for the city's inhabitants...Although the region had transformed radically in the intervening decades, the disaster of 1979 remained a definitive event in the local consciousness."

Estimates of the number of dead from the Machhu dam break range from 1500 to 15000 people, but the focus of "No One had a Tongue to Speak" is quite rightly on the survivors.

***review copy supplied by the authors

9 of 10 people found the following review helpful.
The once untold story, now unforgettable.
By Eileen, DM
No One Had a Tongue to Speak, the once untold story, now unforgettable!

The authors lace India's political and social climate with its intriguing cultural beliefs. It is a masterful illustration of personal tragedy and its effects on the human spirit.

I learned a great deal from this intelligent read. I found it compelling, heartfelt, and beautifully written.

6 of 6 people found the following review helpful.
A vivid, thought-provoking tale...
By Joy
A vivid, thought-provoking tale of a natural disaster and the ensuing relief and recovery efforts, shifting of blame, and socioeconomic implications. Bravo for entering into the public memory a tale that might soon have been forgotten.

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