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The Moon in Its Flight, by Gilbert Sorrentino
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“Gilbert Sorrentino has long been one of our most intelligent and daring writers. But he is also one of our funniest writers, given to Joycean flights of wordplay, punning, list-making, vulgarity and relentless self-commentary.”—The New York Times
“Sorrentino’s ear for dialects and metaphor is perfect: his creations, however brief their presence, are vivid, and much of his writing is very funny and clever, piled with allusions.”—The Washington Post Book World
Bearing his trademark balance between exquisitely detailed narration, ground-breaking form, and sharp insight into modern life, Gilbert Sorrentino’s first-ever collection of stories spans 35 years of his writing career and contains both new stories and those that expanded and transformed the landscape of American fiction when they first appeared in such magazines and anthologies as Harper’s, Esquire, and The Best American Short Stories.
In these grimly comic, unsentimental tales, the always-memorable characters dive headlong into the wasteland of urban culture, seeking out banal perversions, confusing art with the art scene, mistaking lust for love, and letting petty aspirations get the best of them. This is a world where the American dream is embodied in the moonlit cocktail hour and innocence passes at a breakneck speed, swiftly becoming a nostalgia-ridden cliché. As Sorrentino says in the title story, “art cannot rescue anybody from anything,” but his stories do offer some salvation to each of us by locating hope, humor, and beauty amidst a prevailing wind of cynical despair.
Gilbert Sorrentino has published over 20 books of fiction and poetry, including the classic Mulligan Stew and his latest novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he recently returned to his native Brooklyn.
- Sales Rank: #1142662 in eBooks
- Published on: 2012-11-15
- Released on: 2012-11-15
- Format: Kindle eBook
From Publishers Weekly
This collection of new and old stories from poet and novelist Sorrentino (Mulligan Stew) hews to a self-consciously modernist agenda. Many of the pieces are different versions of a single narrative about adulterous triangles connecting mediocre writers, their sexually voracious wives and their backstabbing business associates, set in a sour New Yorkâ€"San Francisco milieu of beatnik literary wannabes and "deadbeats." The caustic realism of these stories about the falsity of art and love in postwar urban America is accompanied by an ironic meta-commentary on the falsity of literary realism itself, in which Sorrentino bemoans the unreliability of the narrator, advertises his own writerly artifices ("Now I come to the literary part of the story.... I grant you it will be unbelievable") and decries the middlebrow conventions that make such artifice commercially necessary. His own highbrow allegiances are proclaimed in hallucinatory passages composed of the sort of cryptic non sequiturs ("Bossed by one schemer, so slow in sliding along the blue, horizontal mime who had stretched from one hem to the next, an idle guttersnipe bawled in humping a whore whom a pimp's trull had long since sassed") his admirers call "Joycean" for their intense, enigmatic imagery. But underneath Sorrentino's cynical tone and avant-garde stylings, his themes-art corrupted by ambition and commerce, youthful desire corrupted by marriage-reveal him to be a romantic at heart.
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From Booklist
Fans of experimental verse will embrace the bracing ways of this first-ever collection of short stories by prolific avant-garde writer and poet Gilbert Sorrentino. Encompassing original work and pieces previously published in Esquire, Harper's, and The Best American Short Stories, the volume offers a literary dim sum that dazzles with detailed narration, self-commentary, and linguistic acrobatics both ingenious and perverse. Summer romance is the theme of the title piece, in which a self-deprecating narrator speaks directly to readers, asking them to "bear with me and see with what banal literary irony it all turns out--or does not turn out at all." From the sexual hunger of a terminally ill woman to a husband's erotic fixation with his wife's facial flaw, Sorrentino portrays a mad, modern world where pursuit of pleasure is the overriding m.o. Possessing both the grace of James Joyce and the snap and crackle of Tom Wolfe, this insightful offering by the two-time PEN/Faulkner Award finalist is a must-read for those who fancy fiction served on wry. Allison Block
Copyright © American Library Association. All rights reserved
Review
"Gilbert Sorrentino's brilliantly inventive, wickedly funny stories impart a truth that has the power of divination. Reading "The Moon in Its Flight is sheer pleasure."--Walter Abish
Most helpful customer reviews
5 of 5 people found the following review helpful.
Hilarious and Touching
By A. Saroyan
There are a lot of different elements, I think, in what makes these stories so delightful, and I can't say I really understand how they meld. While they can be hilarious, somehow or other the primary element isn't satire, but something sadder and deeper and sweeter. There's a whole lost world here in the references of the forties, fifties and sixties. And the voice that so superbly apprises us of the trajectories of these mad men and women belies its own distance in its loving detail. It is hilarious, but something more, too.
1 of 1 people found the following review helpful.
Highly original, poetic and meaty at the same time
By KasaC
Is there another writer today who can evoke a time, a way of life, with the gutsiness of realism tinged with the poet's touch? It would be impossible to pick one of these stories as a favorite since they are all evocative, shadow cast in nostalgia not only for a certain style, but a certain time. Sorrento is such a wonderful writer who should be better known.
0 of 0 people found the following review helpful.
It is a very good book and therefore it is all the more frustrating ...
By su
The kindle book came incomplete. It went up to 73% of the original text. I would very much appreciate it if you send me the complete version. It is a very good book and therefore it is all the more frustrating not beeing able to read it complete.
I am waiting for the remaining pages,
Sincerily
Susana Munnich
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