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Julian Barnes, author of the Man Booker Prize–winning novel The Sense of an Ending, gives us his most powerfully moving book yet, beginning in the nineteenth century and leading seamlessly into an entirely personal account of loss—making Levels of Life an immediate classic on the subject of grief.
Levels of Life is a book about ballooning, photography, love and loss; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded Barnes the 2011 Booker Prize described him as “an unparalleled magus of the heart.” This book confirms that opinion.
“Spare and beautiful...a book of rare intimacy and honesty about love and grief. To read it is a privilege. To have written it is astonishing.” —Ruth Scurr, The Times of London
“A remarkable narrative that is as raw in its emotion as it is characteristically elegant in its execution.” —Eileen Battersby, The Irish Times
This ebook edition includes a reading group guide.
- Sales Rank: #199139 in eBooks
- Published on: 2013-09-24
- Released on: 2013-09-24
- Format: Kindle eBook
From Booklist
Barnes, who won the Man Booker Prize for his most recent novel, The Sense of an Ending (2011), is a stealthy essayist. His tone is urbane and wry, his style pared and sure, but his emotions are stormy. As in his previous essay collection, Nothing to Be Frightened Of (2008), death is Barnes’ theme. Though one wouldn’t think so at the outset as he describes three nineteenth-century balloon flights in England and France enjoyed by three intriguing, eventually interconnected “balloonatics.” There’s rascally Colonel Fred Burnaby; Félix Tournachon, better known as Nadar, the pioneering aerial and portrait photographer; and the “Divine” Sarah Bernhardt. Barnes muses on why being airborne is exhilarating, in spite of one’s being at the mercy of “wind and weather.” The profound metaphorical resonance of Barnes’ fascination with ballooning emerges as he addresses the sudden death of his wife of 30 years and his painful plunge into mourning. This bright wand of a book is testimony to Barnes’ commanding artistry, delving intelligence, and high imagination as he writes of being “griefstruck” with stunningly vital and tonic perception. --Donna Seaman
Review
“Shattering. . . . Simultaneously wise, funny and devastating. . . . A fascinating discourse on love and sorrow.” —The New York Times Book Review
“Elegant. . . . Deeply stirring. . . . Barnes’s account of his grief [has] a fierce and fiery kind of momentum. Within a few pages it is aloft.” —The Boston Globe
“Levels of Life would seem to pull off the impossible: to recreate, on the page, what it is like to be alive in the world.” —The Guardian (London)
“Wonderful. . . . Not a grief memoir so much as a grief meditation. . . . Short, crisp, measured, and deeply felt.” —The New York Review of Books
“A rumination on grief and the alchemical power of love.” —O, the Oprah Magazine
“This is the most inventive and honest portrayal of grief we’ve read. . . . Barnes approaches memoir, a genre that too often errs on the side of sentimental, with complete grace.” —The Huffington Post
“Powerful. . . . ‘Sorrow is a kind of rust of the soul,’ Barnes quotes Samuel Johnson. Levels of Life boldly and beautifully buffs the corrosion.” —NPR
“Artistically exquisite. . . . A penetrating, absorbing and deeply moving study of love, heartbreak and the process of mourning.” —Minneapolis Star Tribune
“A powerful dirge and slender but shapely work of art.” —The Daily Beast
“Evocative and moving. . . . Levels of Life is a magically sad work, a record of loss that is also a record of life, whose shared stories heighten one another.” —The Brooklyn Rail
“Stunning. . . . Deceptively compact but takes us deep. . . . Still grieving, still longing himself, Barnes, like Nadar from above in his hot air balloon, has given us a perspective never seen before.” —The Miami Herald
“A tour-de-force masterwork.” —Richmond Times-Dispatch
“Spare and beautiful. . . . A book of rare intimacy and honesty about love and grief. To read it is a privilege. To have written it is astonishing.” —The Times (London)
“Eloquent. . . . A precisely composed, often deeply moving hybrid of non-fiction, ‘fabulation,’ and straightforward reminiscence and contemplation, is a gifted writer’s response to the incomprehensible.” —The Times Literary Supplement (London)
“Profound. . . . Harrowing. . . . Anyone who has loved and lost can’t fail to be moved by this devastating book.” —The Independent (London)
“Arresting. . . . Barnes writes with astonishing precision about mourning and grief, those areas of human experience so often camouflaged with evasion and silence.” —The Daily Telegraph (London)
“High art, essential reading. It is as powerful and well-articulated as Joan Didion’s harrowing and classic discussion of losing her husband, The Year of Magical Thinking. Barnes manages to be moving precisely because he leaves so much unsaid. His silences are eloquent.” —Daily Mail
“Moving, heartfelt, exact and telling. . . . A remarkable narrative that is as raw in its emotion as it is characteristically elegant in its execution.” —The Irish Times
“At times unbearably sad, but it is also exquisite: a paean of love, and on love, and a book unexpectedly full of life. . . . In time [this] may come to be viewed as the hardest test and finest vindication of [Barnes’s] literary powers.” —The Herald (Scotland)
About the Author
JULIAN BARNES was born in Leicester and moved to London in 1946. He is the author of twenty books, and in 2011 won the Man Booker Prize for The Sense of an Ending. He met Pat Kavanagh in 1978.
Pat Kavanagh was born in South Africa and moved to London in 1964. She worked in advertising and then, for forty years, as a literary agent. She married Julian Barnes in 1979, and died in 2008.
Most helpful customer reviews
24 of 24 people found the following review helpful.
The heights and the depths
By Jessica Weissman
Julian Barnes is incapable of writing a dull paragraph or a shapeless sentence. This short book puts together three narratives centered on love, on flying, and on the loss of love. Barnes has always been good at delineating emotion, and he does not fail here.
The first two parts, mainly about ballooning with a possibly apocryphal story about Sarah Bernhardt and one of her lovers, are vintage Barnes work. Swift, spare, and fascinating.
The third part is Barnes' grief narrative, about the death of his wife and about his grief. Lots of writers have written beautiful grief narratives - Alan Paton, CS Lewis, Joan Didion and Joyce Carol Oates among them. Each of these writers, while sharing the experience of grieving a spouse, comes up with a work wholly characteristic of themselves and deeply moving. Writers write - that's how they deal with experience. CS Lewis tried to figure out how death and loss fits in with his God, Alan Paton concentrated on the wonderful nature of his wife, Joan Didion on the unbelievability and starkness of grief, and Joyce Carol Oates wrote a very long and discursive day by day account of her grief and gradual recovery, with some guilt thrown in. Characteristic each one of them.
Griefs are similar (the world indifferent to the tragedy, the misery of life without the loved one, the unfamiliarity of familiar experiences, the inability to tell stories to the loved one, the unfairness and unfathomability of it all) but personal as well. Just as his predecessors were true to their writerly selves, Barnes is his usual spare, perfectly phrased and devastating self in this book.
If you've lost a spouse you'll recognize his experience and enjoy his superb way of describing it. If not, take this as a report from a country you may well visit someday. Worth reading in either case, with the bonus pleasure of figuring out how the first two narratives connect to the third.
0 of 0 people found the following review helpful.
Four Stars
By Frank Wetzel
Powerful!
0 of 0 people found the following review helpful.
Three Stars
By Ezra Harris
Meh.
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