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Horse, Flower, Bird, by Kate Bernheimer
Ebook Horse, Flower, Bird, by Kate Bernheimer
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"Each of these spare and elegant tales rings like a bell in your head. memorable, original, and not much like anything you've read."—Karen Joy Fowler
“A strange and enchanting book, written in crisp, winning sentences; each story begs to be read aloud and savored.”—Aimee Bender
"Horse, Flower, Bird rests uneasily between the intersection of fantasy and reality, dreaming and wakefulness, and the sacred and profane. Like a series of beautiful but troubling dreams, this book will linger long in the memory. Kate Bernheimer is reinventing the fairy tale."—Peter Buck, R.E.M.
In Kate Bernheimer's familiar and spare—yet wondrous—world, an exotic dancer builds her own cage, a wife tends a secret basement menagerie, a fishmonger's daughter befriends a tulip bulb, and sisters explore cycles of love and violence by reenacting scenes from Star Wars.
Enthralling, subtle, and poetic, this collection takes readers back to the age-old pleasures of classic fairy tales and makes them new. Their haunting lessons are an evocative reminder that cracking open the door to the imagination is no mere child's play, that delight and tragedy lurk in every corner, and that we all "have the key to the library . . . only be careful what you read."
- Sales Rank: #1303647 in eBooks
- Published on: 2011-03-29
- Released on: 2011-03-29
- Format: Kindle eBook
From Booklist
In eight hauntingly poetic fairy tales, Bernheimer roots deep into the hyperimagination and fears of lonely girls and the estranged women they become. When a little girl’s pet parakeet dies, she runs away from home and later becomes an exotic dancer who builds her own cage. Two sisters perform imaginary scenarios from Star Wars in which love never triumphs. A girl abandons her sister’s friendship for that of a doll, and later for an imaginary friend whose disappearance leaves her psychotic. A young Jewish girl suffers from guilt and a fear of incineration after her friends and family fail to comprehend her intense desire for atonement. And in the collection’s most heartrending story, a woman hides a petting zoo in her basement, convinced that her secret is preserving her overworked husband’s stability. By turns lovely and tragic, Bernheimer’s spare but captivating fables of femininity resonate like a string of sad but all-too-real and meaningful dreams. This is a collection readers won’t soon forget, one that redefines the fairy tale into something wholly original. --Jonathan Fullmer
Review
"Hauntingly poetic . . . By turns lovely and tragic, Bernheimer's spare but captivating fables of femininity resonate like a string of sad but all-too-real and meaningful dreams. This is a collection readers won't soon forget, one that redefines the fairy tale into something wholly original."—Booklist
"[Bernheimer's] strangely moving stories, such as the eight collected in Horse, Flower, Bird, combine fantasy with deep wisdom; the illustrations by Rikki Ducornet are an added delight."—Reader's Digest
"Deep-seated fears find their way into these eight brief, dark adult fairy tales . . . These stories are the product of a vivid imagination and crafty manipulation by their skillful creator."—Publishers Weekly
“Imaginative . . . lean and lyrical writing . . . Bernheimer’s passion for fairy tales is evident in every story she spins . . . [her] work provides a refreshing contrast to most available fiction. It is no stretch to compare her to Aimee Bender or Kelly Link.”—Library Journal
“Quirky, twisted . . . quietly unhinged narratives by an author who reinvents the fairy tale.”—Kirkus
“This is a delightful collection of strange tales. . . . The stories are also accompanied by anthropomorphic illustrations by Rikki Ducornet, which are wonderfully befitting of the tales. This made for a quick read, as once I was pulled into the worlds of these stories, I did not want to stop reading until I found out where Bernheimer was taking me.”—NewPages
"[H]orse, Flower, Bird possesses everything you want to find in remarkable, enchanting, and lasting fairy tales–the delightful, imaginative kind of stories you want to tell in front of fires, or on the phone late at night under the covers, the stories you know you will never tell as well as the original author, the ones about phobias and cages and learning to love cages, but you know you have to try and retell them anyway."–Puerto Del Sol
About the Author
Kate Bernheimer is the author of two novels and the children’s book The Girl in the Castle Inside the Museum, a Publishers Weekly Best Book of the Year. She is also the editor of the literary journal Fairy Tale Review, and three anthologies, including My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales (forthcoming from Penguin in 2010). An Associate Professor and Writer in Residence at the University of Louisiana in Lafayette each spring, she spends the rest of the year in Tucson, Arizona.
An artist and fiction writer, Rikki Ducornet has illustrated books by Robert Coover, Jorge Luis Borges, Forrest Gander, and Joanna Howard. Her paintings have been exhibited widely, including, most recently, at the Pierre Menard Gallery in Cambridge, Massachusetts, and the Salvador Allende Museum in Santiago, Chile.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Themes of love, loss and entrapment of women
By Bluestalking Reader
What makes Bernheimer's short 'Horse, Flower, Bird' so extraordinary is its ability to pack so much into so little prose. Her fairy tales are like poetry, and as is usual with fairy tales, they pack a wicked punch.
Fairy tales are written to convey a moral, though in this case there are also themes geared specifically toward women, including: isolation, entrapment (mostly self), selective mutism, and a difference about these women that sets them apart from "normal" society.
The color pink also recurs. There is the pink lining of a box a tiny girl is kept in by another girl (again, the entrapment and isolation), a woman who paints her walls pink, a pink floral tea cup set and also a pink dress. Pink is a color automatically associated with the feminine, one I think of as a confection, a sweet indulgence. What Bernheimer has in mind I'm not really sure.
The stories all feature, beneath the seemingly tranquil surface, sadness and a sense of the lack of power of the female characters. Men do appear, but are associated with loss and heartache. None of the stories really end on a happy note, and leave the reader feeling vaguely disconcerted.
I've struggled with Bernheimer's message, though she seems to be saying women who are different in some way are marginalized, often separating themselves and choosing to be mute. Her tales come off with a feminist bent, exploring themes of pain and loss.
In one of my favorite tales a young woman who owns a caged bird her mother fears so much she can only let it out when her mother isn't home. When the mother isn't home the young woman lets the bird out, to fly around her room, until the bird's tragic death while trying to escape out into the world. The girl becomes an exotic dancer in a cage, electing not to speak, then a kept woman. Throughout the story are obvious themes of confinement, continuing through the fascinating end.
I wouldn't consider this a light read, though I suppose it would be possible to skim the tales at surface level. But that would do the author a grave injustice. Courses on feminist or women's literature would do well to use this as a curriculum text. There's so much here worthy of discussion, delving into deeply.
A very impressive volume.
- Lisa Guidarini, National Book Critics Circle, Reviewer for Library Journal
3 of 3 people found the following review helpful.
fairy tales for grown ups
By Meg Sumner
The Brothers Grimm cornered the market on fairy tales, and the original versions of them were often dark...far more frightening than the sanitized versions found in modern children's books. This collection of short stories by Kate Bernheimer entitled Horse, Flower, Bird is a dark collection of tales as well...not suitable for children, because under the seemingly simple stories lies a violent understory. The combination is disconcerting, and makes you wonder how the elements of fear and innocence could be combined so artfully.
I can't think of any short stories that are like this...the images create an almost instantaneous shot of pain, like a paper cut, when you grasp the author's meaning. For example, in "A Cuckoo Tale", a little girl speaks innocently of her feelings of guilt and anxiety (she didn't call it that) in a religious sense, so different from her Catholic friend. "There was no talk of heaven or hell in the girl's household. It was all about pogroms and rape." While she tries to live a child's life, visions of Jews herded into ovens fill her too-young imagination. She wonders why no one helped Anne Frank, who she calls "the girl who kept the diary."
In "A Doll's Tale", a little girl receives a beautiful doll as a gift...a doll far prettier than she. She didn't like it, and so "confused by this feeling-for Astrid was a kind and gentle being-her ambivalence became a kind of devotion." Her true feelings are revealed when she dumps it down a laundry chute. However, the loss of it soon leaves her lonely, and she invents an invisible-friend. There's no joy there, as the 'friend' suddenly disappears. A painfully memorable picture is created when her and her father drive around, looking for the beloved invisible friend:
"This second loss proved too much for her, really. Doll-less, invisible friend-less, finally more comfortable in fear than in gladness, Astrid began to live in her head...To outsiders, this...lent her a remarkably pleasing air, since she never had reason to interrupt anyone's talking."
'
Kate Bernheimer
' Even what promises to be an amusing story of little girls playing Jedi's from Star Wars takes a darker turn, when their imagination, fed by the careless conversations of adults, suddenly creates a world far more violent and ugly than the movie.
The stories, while diverse and mysterious, all contain a theme of the loss of innocence. And the source of such loss seems to be the a child's view of the world where an active imagination and lack of experience create troubling and sometimes dangerous visions. Sometimes the simplest words can create a landscape of horror.
4 of 5 people found the following review helpful.
Haunting fairy tales for grown-up children
By convergingnow
I love this book. There are so many ideas, so many things hinted at, or glimpsed, between the lines of the stories...I know I will have to reread it very soon. The stories are modern but timeless, strange but somehow familiar. The author has packed so much into this slim and sparse collection, so much that it would take hundreds of pages to even attempt to "analyze" the tales. But I wouldn't recommend that. Too many words can kill reality, or worse, break an enchantment. Horse, Flower, Bird is a lucid dream...I hope it will be a recurring one.
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