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Quicker Than the Eye, by Ray Bradbury
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The internationally acclaimed author of The Martian Chronicles, The Illustrated Man, and Fahrenheit 451, Ray Bradbury is a magician at the height of his powers, displaying his sorcerer's skill with twenty-one remarkable stories that run the gamut from total reality to light fantastic, from high noon to long after midnight. A true master tells all, revealing the strange secret of growing young and mad; opening a Witch Door that links two intolerant centuries; joining an ancient couple in their wild assassination games; celebrating life and dreams in the unique voice that has favored him across six decades and has enchanted millions of readers the world over.
- Sales Rank: #697680 in eBooks
- Published on: 2013-04-30
- Released on: 2013-04-30
- Format: Kindle eBook
From Publishers Weekly
From the sentimental to the spooky, this grab bag of 21 recent tales from the seemingly ageless imagination of Bradbury whimsically explores themes of love, nostalgia, magic, literature and mortality. In his first collection since The Toynbee Connector (1988), Bradbury, who's 76, displays a particular fascination with evading the strictures of time through science, history, literature, the supernatural or simple reminiscence. The realistic "The Other Highway" describes a family's drive down an old, unused highway to an almost forgotten world. "At the End of the Ninth Year" develops the idea that the human body fully remakes itself at the molecular level every nine years. In "Last Rites," an inventor uses his time machine to reassure his literary heroes?Melville, Poe, Wilde?on their deathbeds that they will be cherished by future generations. Ghost stories like "That Woman on the Lawn," "Another Fine Mess" and "The Witch Door" transport characters across lifetimes or centuries, while "Dorian in Excelsus," a creepy homage to Wilde, blends the supernatural with the fitness craze. Some of these pieces wax maudlin, but Bradbury stirs in a healthy measure of wit with his wide-eyed wonder. Fans won't be disappointed with this hopeful, introspective, addition to his oeuvre.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
The venerable author of such classic fantasy novels as Something Wicked This Way Comes (1963) offers a new collection of short stories that is slated for a 50,000-copy first printing.
Copyright 1996 Reed Business Information, Inc.
From Booklist
Bradbury's career began in the 1930s in the fiction magazines called "pulps," after the cheap paper on which they were printed. Pulp style was cheap, too: rock-bottom simple in diction and syntax, utterly stock in setting and characterization, and dependent on gimmickry and jokes to propel plot, hopefully very quickly. Bradbury mastered the style and, in the science fiction that is his best-known work, occasionally surpassed it. He has written far more sentimental fantasy than sf, though, and the 22 stories in this book are of that sort. They are about such things as the ghosts of Laurel and Hardy hauling a phantom piano up the same L.A. front steps they used in their most famous short film, a man turning off the freeway onto the old highway and taking his family to a withered town he remembers from his boyhood, and a young soldier's visit to the small-town library where he encountered the wonders of literature when he was a mischievous 12-year-old. Some may find them brittlely charming. Others, however, may find them cloying and worse: the librarian in the story of the soldier's return is so stereotypical that even the most indulgent member of that tolerant profession will wince. Ray Olson
Most helpful customer reviews
2 of 2 people found the following review helpful.
Wonderful little journeys to the unexpected
By Matt Hetling
In his rather indulgent afterword, Bradbury hints that he dashes off many of his short stories in two hours or less. What's this mean for the reader? It means that, in general, the stories are short, even for the genre of short stories. It means that many of them are almost like little sketches of a single, simple idea rather than well-polished texts that contain many conscious layers. It also means that many of the stories are fun and quirky.
Bradbury isn't afraid to take a chance on a notion, and this bravado leads to some misses, but it also leads to some hits that you wouldn't find in a more thoughtfully-screened author's collection.
Fans of Bradbury will already be prepared for his odd take on dialogue, which is sometimes realistic, but more often riddled with philosophical musings that sound like they are being performed for the sake of an audience.
Another interesting feature of Bradbury is his versatility. Going into a story, we never know whether we're going to get science fiction, horror, comedy, or drama. Sometimes, when we get to the end of the story, the classification is likewise elusive. This unpredictability really gives the genre elements more of a punch when they do come up. If we were to get a shambling monster at the end of every story, it would soon lose its power to affect us. But when a monster appears only twice or so throughout the course of the entire book, we really feel the horror.
I highly recommend this collection, simply because the writing is unique and thought-provoking.
There are 22 stories in all. The ones that I found to be good were:
"Remember Sascha," a story that manages to be both creepy and heartwarming, draws a brilliant contrast between the affection that a loving couple shares, and the dialogue they maintain with their nervous unborn baby.
"The Finnegan" is a great parody of an old Sherlock Holmes story, in which an old man plays detective concerning the disappearance of some young children in the woods.
"The Very Gentle Murders" is an amusing farce about an elderly couple that mutually decides that the only satisfying past time each spouse's attempted murder of the other.
"The Witch Door" draws some parallels between a futuristic world in which political trends have continued to the point of the absurd, and the Salem Witch Trial era.
"At the End of the Ninth Year" is a bizarre dialogue between a dissatisfied husband and wife, who find an unexpectedly warm and happy resolution to their problems.
"Bug" is a great story about a high schooler who can dance so well that he clears the dance floor every night, but gives up dancing as he enters middle age. This might be the best story in the collection.
"Once More, Legato" is about a man who seems to read a symphony into the chirping of the birds outside his home.
"Exchange" tells the story of a librarian who gets an after-closing visit from a man who used to visit her at the library when he was a boy. This has a great, creepy beginning that makes every turn of the page suspenseful. It is also, along with the equally good "Last Rites," a celebration of reading and literature.
"Free Dirt" is a great story about some graveyard dirt that the old graveyard owner is giving away. An innocent beginning gets more and more frightening. This is another contender for best story in the book.
A final contender is "The Other Highway," which tells the story of an American family that goes off he beaten path to discover a hidden road to small town America. This has some great quotes and images in it that touch on some of the same themes as Fahrenheit 451.
2 of 3 people found the following review helpful.
Book Review For Quicker Than The Eye, by Ray Bradbury
By Joseph Gonzalez
The book Quicker Than The Eye by Ray Bradbury is a collection of short stories. Written by the critically acclaimed author of such books as Farenheit 451, Something Wicked This Way Comes, and The Martian Chronicles, this book continues Bradbury's outstanding tradition of phenomenal writing. In Quicker Than The Eye, Bradbury shows us the fine literary elements in his stories, from setting and plot to character development. In such stories as "If MGM Is Killed, Who Gets The Lion?", Bradbury immediately develops a rich setting and time-frame, as well as characters and their personality traits. While reading this book, I was thoroughly impressed with the diverse nature of his writing. Some of his stories can be dark and macabre, while the next story is lighthearted and witty. Some of his stories simply leave us with a smile on our face as we finish them. Bradbury exhibits knowledge of many different subjects, such as marine technology in "Underderseaboat Doktor", of music in "Once More, Legato", and also much more in the many stories to come. He even delves into fantasy, leaving a sort of feeling that jumps at the edge of our perception. Clearly, it seems as though Bradbury has taken all of his knowledge from the best of his writing and expanded it, refined it, and delivered it in a book that is almost sure to please the reader. To put this book on a scale of 1-10, I would rate this book a 9.5. Don't get me wrong, I would recommend this book thoroughly, however, if one is a long time fan of Bradbury, one might find his writing to be just a small bit repetitive, all in spite of it`s descriptive nature. However, one might be pleased as this book offers a lighter approach as opposed to some of his darker writing, such as The Halloween Tree, and Something Wicked This Way Comes. The descriptiveness is most captivating, however, as well as his extreme diversity of writing, so should one get bored of one story in the book, there is ample selection of other stories to choose from. In conclusion, I should say that from my perspective, this is a must read book. It has something almost for everyone. Unlike some stories, his are captivating from the first few words, and are nearly sure to hook the reader, making this a very hard book to put down.
8 of 8 people found the following review helpful.
Bradbury's newest is nice but not his best
By A Customer
After nearly a decade since his last short story collection (and about FIVE since his first), it's very nice to see the master back on the new book shelves. Longtime fans will recognize familiar themes such as time travel of one sort or another to make amends ("That Woman On the Lawn," "Last Rites,"), fairly old fashioned horror tales ("The Finnegan," "The Witch Door," "Free Dirt"), the never-forgotten carnival characters ("The Electrocution"), and the elegiac yearning for the old and familiar amid the shock and speed of the new ("The Other Highway," which seems to pick up where "Yes, We'll Gather at the River" in _I Sing The Body Electric_ left off). But there are no mind-blowing stories in this bunch, nothing on the order of "A Sound of Thunder," "The Utterly Perfect Murder" or "I Sing the Body Electric" -- pick your own favorites. It's just lovely to see the master still at it after all these years
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