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Let's All Kill Constance, by Ray Bradbury
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On a dismal evening in the previous century, an unnamed writer in Venice, California, answers a furious pounding at his beachfront bungalow door and again admits Constance Rattigan into his life. An aging, once-glamorous Hollywood star, Constance is running in fear from something she dares not acknowledge -- and vanishes as suddenly as she appeared, leaving the narrator two macabre books: twin listings of the Tinseltown dead and soon to be dead, with Constance's name included among them. And so begins an odyssey as dark as it is wondrous, as the writer sets off in a broken-down jalopy with his irascible sidekick Crumley to sift through the ashes of a bygone Hollywood -- a graveyard of ghosts and secrets where each twisted road leads to grim shrines and shattered dreams ... and, all too often, to death.
- Sales Rank: #574400 in eBooks
- Published on: 2013-04-30
- Released on: 2013-04-30
- Format: Kindle eBook
Most helpful customer reviews
0 of 0 people found the following review helpful.
OK
By david a. schwick
It was OK. Not great but OK!
11 of 11 people found the following review helpful.
Enjoyable at times, but Bradbury is out of his element here
By Emerick Rogul
Ray Bradbury's murder mystery novel "Let's All Kill Constance" opens with the words "It was a dark and stormy night." Bradbury playfully winks at his readers with this notoriously (albeit intentionally) cliched introduction, letting us in on the joke of the novel: "Let's All Kill Constance" is a murder mystery, yes, but a murder mystery played out as high camp, all poetic hyperbole and exaggeration. When aging film star Constance Rattigan appears at an unnamed writer's beachfront bungalow (the writer is a barely-disguised younger version of Bradbury himself) with two "Books of the Dead", Bradbury finds himself plunged into a mysterious world of Tinseltown ghosts. Someone is trying to scare Constance by dredging up these ghosts from her past; the books she discovered list long-forgotten friends and acqaintances--many dead or close to death--with Constance's name appearing among them. Bradbury and Constance both comprehend the unspoken threat: Constance may be the next to die. It's up to Bradbury to figure out who's behind this macabre plot, and quickly... before Constance's past finally catches up with her--for good.
With his (often unwilling) sidekick, Elmo Crumley, in toe, Bradbury searches everywhere for clues to the mystery and Rattigan's past. Along the way, he crosses paths with a host of strange characters: a decrepit man who lives amid reams of ancient newsprints; an immense fortune teller, Queen Califia, who holds many secrets of her own; a fearful priest who presides over St. Vibiana's Cathedral; and an ancient film projectionist who surrounds himself with scenes from Hollywood's golden years. As Bradbury delves deeper into the mystery, he learns that nothing is what it seems, and there is no telling what secrets ultimately lie buried deep below Grauman's Chinese movie theater--and beyond.
This novel is Bradbury's third (after Death Is a Lonely Business and A Graveyard for Lunatics: Another Tale of Two Cities) foray into the mystery/detective genre, and unfortunately, it's his least successful. As always, Bradbury writes in an archly poetic style, but here that style is exaggerated to the point of parody. The novel is a quick read, weighing in at a scant 210 pages; chapters end almost before they begin and there is a rushed feeling to the proceedings. Bradbury doesn't allow his readers any chance to savor the plot, as he seems intent on quickly rushing from scene to scene while introducing new characters (all of whom speak with a rat-a-tat, hard-boiled sameness that robs them of any emotion). In the end, "Let's All Kill Constance" manages to feel both drawn-out and not fleshed-out enough.
I'm an admirer of Bradbury's work and I eagerly looked forward to this book after hearing about its release, but ultimately, I was disappointed by it. The situations and characters do not feel realistic or involving. More to the point, Bradbury's overly stylized approach, which is typically so engaging, does not do this book justice. If you're interested in exploring one of Bradbury's more successful attempts at this genre, I would recommend reading the wonderful Death Is a Lonely Business.
1 of 2 people found the following review helpful.
Compelling and thoughtful
By booksforabuck
Aging movie star Constance Rattigan shows up on Ray Bradbury's doorstep with a problem. Someone has dropped off an address book that Constance got rid of years before--because so many of the people in it are dead. It is a book of the dead--and a threat--especially since some of the people listed in it aren't dead, yet. Bradbury is sucked into the mystery and follows it through the streets of old Hollywood. As he and his friends investigate, they find that Constance was more than they had suspected--and more dangerous. For Constance is investigating on her own, and where she goes, death seems to follow. Could the entire thing be a setup by Constance? Or is someone systematically destroying her past--before they destroy her?
Author Ray Bradbury is a master at taking a simple story and revealing the layers of meaning and depth that are normally hidden and LET'S ALL KILL CONSTANCE is a fine example. In the early 1960s Hollywood where so many people are creations, Constance is the ultimate creation. What she really is underneath the Hollywood glitz, Bradbury, the others, and even Constance herself can scarcely discern. Fans of Ray Bradbury will get a kick out of seeing him come up with the ideas for several of his best and most famous works as he chases down the mystery.
In the final third of the book, LET'S ALL KILL CONSTANCE occasionally gets muddled in itself. Still, Bradbury brings it to a strong (if weird--but it's Bradbury so you wouldn't expect anything else) conclusion. Bradbury's strong writing and the powerful character of Constance herself carry the reader's interest and compell us through this short novel.
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