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The Funeral Dress: A Novel, by Susan Gregg Gilmore
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A deeply touching Southern story filled with struggle and hope.
Emmalee Bullard and her new baby are on their own. Or so she thinks, until Leona Lane, the older seamstress who sat by her side at the local shirt factory where both women worked as collar makers, insists Emmalee come and live with her. Just as Emmalee prepares to escape her hardscrabble life in Red Chert holler, Leona dies tragically. Grief-stricken, Emmalee decides she’ll make Leona’s burying dress, but there are plenty of people who don't think the unmarried Emmalee should design a dress for a Christian woman - or care for a child on her own. But with every stitch, Emmalee struggles to do what is right for her daughter and to honor Leona the best way she can, finding unlikely support among an indomitable group of seamstresses and the town’s funeral director. In a moving tale exploring Southern spirit and camaraderie among working women, a young mother will compel a town to become a community.
Now with Extra Libris material, including a reader’s guide and bonus content
From the Trade Paperback edition.
- Sales Rank: #175584 in eBooks
- Published on: 2013-09-03
- Released on: 2013-09-03
- Format: Kindle eBook
Amazon.com Review
A Conversation with Susan Gregg Gilmore
Q: What inspired you to write The Funeral Dress?
A: I stumbled across a 1960s Kodak photograph of my great aunt and uncle sitting in their single-wide trailer, the very same trailer they shared for fifty-two years. This one photograph got me to thinking about family, familial relationships, and specifically my ancestors and the land we've all shared. From this one image, The Funeral Dress took root.
Q: Is there a Cullen, Tennessee, and if so, was there a shirt factory there?
A: Cullen is fictional. But I did spend time researching in Dunlap, Tennessee, just about thirty minutes from my Chattanooga home. In fact, some of my most favorite days while writing the book were those spent with my friend and Dunlap native Vallerie Greer. She'd pick me up and we'd drive over Signal Mountain down into the Sequatchie Valley. We spent countless hours walking through cemeteries, driving deep into hollers, and talking to people about their lives there at the southernmost tip of the Appalachian Mountains. And we always finished the day with a late lunch at the Cookie Jar, where you can get some of the best chicken 'n' dumplings and lemon meringue pie. There was an operating shirt factory in Dunlap at one time, and I spent a wonderful afternoon with Marea Barker, a twenty-nine-year veteran lapel maker. I kept asking Marea, had she found the work monotonous, tedious, boring? Thinking surely she must have. But she just looked at me as if she didn't understand the question. For Marea, working at the shirt factory meant community and friendship and some financial independence. Sadly, Marea died not long after our last visit together, but she was sewing quilts for her family up until the very end.
Q: Do you have any ideas about your own funeral; what you'd like? What kind of dress you want to wear?
A: Sure. I have a growing file where I put songs I'd like sung or verses I'd like read. But I know I want it in a church, and I want someone who really knows me delivering the eulogy. I don't want money spent on an expensive casket. I would just as soon be wrapped in a white sheet and cremated or placed in a pine box and buried in the quiet Tennessee woods. But if I'm going to get all gussied up for the affair, I want a simple dress, tailored, not black, but something that still complements my white hair! Maybe even pants and a nice top. And of course good food and good fellowship afterward. Other than that, it can all be a surprise.
Q: While you were writing, did you identify with Leona or Emmalee or both?
A: I identified with both women but definitely felt more connected to Leona. Truth be told, it was probably more of a bonding. Leona had worked so hard all of her life and was still longing for something more. Even though I try very hard to find peace in the moment, no matter the circumstance, I understand that longing, that desperate need for something not yet attained. Even now, I find myself thinking about Leona and wondering what her life would have been like, with or without Curtis, had her situation been different. I hope she's well wherever she is!
From Booklist
In a tender, graceful novel that addresses questions of class and social isolation, Gilmore (The Improper Life of Bezellia Grove, 2010) tells the story of a motherless young girl raised in poverty in a small holler in Tennessee. When 16-year-old Emmalee Bullard lands a job as a collar maker in a textile mill in 1974, she finally finds the camaraderie she has longed for. Her alcoholic father, bitter and overtaxed by the responsibility of raising his daughter after his wife’s death, has spent more time berating Emmalee than helping her. Then Emmalee becomes pregnant, and Leona, a seamstress who mentored her, offers Emmalee a place to live and a helping hand. When Leona and her husband are killed in an auto accident, Emmalee feels compelled to sew a funeral dress for her dear friend, despite the overwhelming disapproval of the ladies at the local church. Gilmore imbues her story with a deep compassion for the lives of the working poor while offering a vivid picture of factory life and the sense of community it inspired among its workers. --Joanne Wilkinson
Review
“I rarely describe a book as being “beautiful” but The Funeral Dress really is just that. It’s beautiful. It hits you hard, builds you up, and hugs your soul.” –BookRiot.com
“With The Funeral Dress, Gilmore—a former Nashville resident who now lives in Chattanooga—does her finest work to date, perfectly capturing the rhythm and music of the small-town Southern vernacular… This is a simple, quiet story about family ties, life’s disappointments, the daily struggle it takes to persevere, and the ways women support one another when times are tough, especially in the hard work of child-rearing. It’s also a story about gifts: those Emmalee discovers in herself and those—like compassion and comfort—that her pain unexpectedly reveals in others.” –Chapter16.org
“A tender, graceful novel that addresses questions of class and social isolation… Gilmore imbues her story with a deep compassion for the lives of the working poor while offering a vivid picture of factory life and the sense of community it inspired among its workers.” —Booklist
“A young woman in Appalachia battles poverty, discrimination and her own insecurity in this moving and memorable novel…A revelatory novel that offers an evocative account of the lives of Appalachian working women.” —Kirkus
“Beloved writer Susan Gregg Gilmore takes a huge leap forward with her new novel The Funeral Dress—that rare book which is not only a book club natural and a page-turning "great read," but a stunning, serious literary work which ought to be up for every award out there. Its themes of rural poverty, class, and working women's hard lives are balanced by the bonds of community and love. The Funeral Dress is a lovely, memorable novel. So go ahead and buy two copies—one for yourself, and one for your best friend.” —Lee Smith, author of Mrs. Darcy and the Blue-Eyed Stranger
"This story of a young female textile worker encountering adversity in a small southern town reveals the remarkable power of friendship, community, and the gift of sewing. A vivid tribute to the efforts of a courageous band of sisters." —Rachel Simon, author of The Story Of Beautiful Girl and Riding The Bus With My Sister
“Susan Gregg Gilmore’s The Funeral Dress is a rare and wonderful glimpse into lives and friendships among blue collar working women in America.” —Fannie Flagg, author of Can’t Wait to Get to Heaven
Most helpful customer reviews
51 of 53 people found the following review helpful.
Inspiring Novel
By AliM
Okay, admittedly I grew up in the TN but not like Emmalee or Leona, the two main characters in Susan Gregg Gilmore's third novel. My heart broke several times - over Emmalee's life in the trailer with her abusive father and struggles with a newborn, as well as Leona's tragic loss ( I dare not give away the story). Gregg-Gilmore takes the reader to poverty, to sisterhood, to the sewing machine, and inside two trailers. She inspires her readers by imparting characters with strength, perseverance and courage that exemplifies the best of the human spirit. I loved this book.
42 of 43 people found the following review helpful.
The Funeral Dress
By MDH
I usually don't write reviews but...Wow! I wasn't sure what to expect, except that I know I love the author's other two novels, however, this one was wonderful. I truly couldn't put it down.
31 of 32 people found the following review helpful.
Moving
By Mary E. Young
Emmalee has struggled all of her life. As a young child her mother died of cancer. Dirt poor, her father provided little for her, preferring to spend his time drinking. At his urging, Emmalee drops out of school and gets a job at the local shirt factory. Leona, an expert seamstress, takes an interest in Emmalee. When Emmalee becomes pregnant, she denies it right up until she is giving birth in the factory floor. Leona invites Emmalee to move into her home. However, the night before she is to move, Leona and her husband die in a tragic car accident. Devastated, Emmalee asks to make her funeral dress, determined to make sure that she honors Leona's memory.
I fell in love with Emmalee and found myself rooting for her and the baby. I thought the story was well written, well paced and perfectly blended the past and present. Highly recommended.
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